Origin of music

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The question of the origin of music can be raised on manifold levels. It may involve biological, evolutionary, historical, artistic, or spiritual aspects. The following article focuses on the biology and evolution of music. It covers questions such as where, when, and why music evolved in both humans and the animal kingdom.

Comparative biology of music: in which species did music evolve?

Although the production of music as such is considered uniquely human, musical utterances of various degrees of complexity and perfection can be observed in several species in the animal kingdom. Acoustical utterances of comparatively low complexity that are innate and serve functions such as signalling danger to conspecifics are usually not regarded as music. The remaining musical expressions are divided into two groups: vocal music or “song” (complex, learned vocalizations) and instrumental music (structured, communicative sound using parts of the body other than the vocal organs and sometimes additional objects).

Animal song

(CC) Photo: Malene Thyssen
Male blackbird: one of the best singers among birds

Vocalizations of sometimes amazingly high complexity and musicality have evolved several times in birds and mammals. Most research has been done on songbirds so far, but also parrots, hummingbirds, whales, seals and possibly other species show vocalizations that can be called musical according to above definition.

Instrumental music in animals

Instrumental sound generation is very rare among animals. It seems to be limited to purely rhythmical elements, i.e. to drumming, thus lacking any melody or harmony. Our closest cousins, the African great apes (chimpanzees, bonobos and gorillas), do manual drumming – sometimes with both arms – on their own chest, the ground, on objects like resonating tree buttress roots and even on other individuals. Chimpanzees have been found readily adapting other surfaces to drumming including e.g. hollow walls. Drumming sequences are typically of short duration (around 1 s in both gorillas and chimpanzees, around 12 s in bonobos). It is currently unknown whether apes can entrain to an externally generated rhythm, or generate more complex rhythmic patterns than the steady isochronic pulse typically observed. Further drumming species include palm cockatoos, woodpeckers and kangaroo rats. However, bimanual drumming as such seems to be unique to the great apes and humans.

Nowadays, drumming is ubiquitous among human world musical cultures. Thus the existence of drumming in the great apes is a clear possible homologue of instrumental music in our own species.

First appearance of human music

Vocal adaptions for song

As vocal music does not fossilize, nor do the soft tissue structures of the vocal tract, the timing of the origins of vocal music remains quite unsure. A recently discovered fossil indicator of a potential change in neural control of vocalization in humans is that modern humans have a larger thoracic vertebral canal than other primates. This enlargement may be linked to greater control over breathing, as this region contains motor neurons that control some respiratory muscles. Such increased breathing control is assumed to contribute to the faculty of complex vocalization and could thus be a cue to the timing of the origin of song. By comparing the thoracic vertebral cavity size among hominids, it has been concluded that increased breathing control occurred no earlier than late Homo erectus, i.e. roughly 500.000 years ago.

Instrumental music: archeological data

It is assumed that bimanual drumming is the oldest form of instrumental music, as it appears in our nearest relatives, the African great apes. However, fossil data is scarce in this particular field, since the body itself often served as the “drum”. The most abundant archaeological musical instruments are flutes made of bone. It is widely agreed, based on the analysis of these flutes, that instrumental music dates back at least around 37.000 years (which is the age of the oldest uncontested bone flute found at Geissenklösterle in Germany). It is likely though that instrumental music is much older, considering that instruments such as drums or rattles were made of perishable materials. There has been a still unresolved debate on a Neanderthal “flute” whether this artifact is properly considered a flute. Although its date is only a few thousand years older than the one from Geissenklösterle, it would push the evolution of instrumental music back to the common ancestor of Neanderthals and anatomically modern Homo sapiens – often equated with Homo heidelbergensis or Homo antecessor and estimated to have split around 500.000 years ago.

Why did music appear in evolution?

This natural question has often been reformulated in the following way: what, if any, adaptive functions does music serve? Which advantage did species possessing musical skills take so that they out-reproduced those that did not?

"As neither the enjoyment nor the capacity of producing musical notes are faculties of the least use to man in reference to his daily habits of life, they must be ranked amongst the most mysterious with which he is endowed" (Darwin, 1871).

Few stones have been left unturned as to potential functions of music since Darwin posed the question. One major difficulty in answering it is that music doesn’t necessarily need to serve the same functions nowadays as it did when it evolved, and that these functions might vary between different species. The following hypotheses about the function of music are among the most common that have been brought up so far.