New Musical Express: Difference between revisions
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The '''''New Musical Express''''' (or '''''NME''''') is a weekly newspaper about popular music published in the [[United Kingdom]]. The paper began in 1952 after the ''Musical Express'' was purchased by [[London]] music promoter Maurice Kinn and relaunched as the ''New Musical Express''. It was initially published in a non-glossy, tabloid format. Later in 1952, taking its cue from the US ''Billboard'' magazine, it created the UK Singles Chart, the first of which was a Top Twelve. | The '''''New Musical Express''''' (or '''''NME''''') is a weekly newspaper about popular music published in the [[United Kingdom]]. The paper began in 1952 after the ''Musical Express'' was purchased by [[London]] music promoter Maurice Kinn and relaunched as the ''New Musical Express''. It was initially published in a non-glossy, tabloid format. Later in 1952, taking its cue from the US ''Billboard'' magazine, it created the UK Singles Chart, the first of which was a Top Twelve. | ||
The ''NME'' evolved alongside the emerging [[rock and roll]] music scene and was for many years the rival to the older and more musically conservative ''Melody Maker'' publication. While its initial focus was on mainstream pop acts, the rise of psychedelia and heavier rock bands in the late 1960s resulted in an emphasis on guitar-based music and indie rock bands, which has continued to this day. Suffering a sales slump by the mid-1970s, the arrival of [[New Wave music|New Wave]] towards the late 1970s resulted in the ''NME'' cashing in by hiring young writers, reverting the magazine's declining fortune. The sometimes ascerbic and scathing reviews of established artists earned it the nickname "The Enemy". Around this time it changed its masthead to be read as "NME", with the longer title less prominently displayed within the letters themselves. | The ''NME'' evolved alongside the emerging [[rock and roll]] music scene and was for many years the rival to the older and more musically conservative ''Melody Maker'' publication. While its initial focus was on mainstream pop acts, the rise of psychedelia and heavier rock bands in the late 1960s resulted in an emphasis on guitar-based music and indie rock bands, which has continued to this day. Suffering a sales slump by the mid-1970s, the arrival of [[New Wave music|New Wave]] towards the late 1970s resulted in the ''NME'' cashing in by hiring young writers, reverting the magazine's declining fortune. Circulation eventually peaked to 320,000 copies a week. The sometimes ascerbic and scathing reviews of established artists earned it the nickname "The Enemy". Around this time it changed its masthead to be read as "NME", with the longer title less prominently displayed within the letters themselves. | ||
Upon the demise of ''Melody Maker'' in 2001, several of its writers and features relocated to the ''NME''. Since 2002, | Upon the demise of ''Melody Maker'' in 2001, several of its writers and features relocated to the ''NME''. Since 2002, rivals such as ''[[Q (magazine)|Q]]'', ''[[Mojo (magazine)|Mojo]]'', and ''[[Classic Rock (magazine)|Classic Rock]]'' magazines had made inroads into the traditional ''NME'' readership, and by 2009 its popularity had declined with audited circulation dropping to 48,500 copies a week.<ref>{{cite web|url=http://business.timesonline.co.uk/tol/business/industry_sectors/media/article5720745.ece|title=The party’s over and magazines suffer a circulation hangover| accessdate = 2009-04-20| year = 2009| month = February}}</ref> | ||
Revision as of 21:48, 19 June 2009
The New Musical Express (or NME) is a weekly newspaper about popular music published in the United Kingdom. The paper began in 1952 after the Musical Express was purchased by London music promoter Maurice Kinn and relaunched as the New Musical Express. It was initially published in a non-glossy, tabloid format. Later in 1952, taking its cue from the US Billboard magazine, it created the UK Singles Chart, the first of which was a Top Twelve.
The NME evolved alongside the emerging rock and roll music scene and was for many years the rival to the older and more musically conservative Melody Maker publication. While its initial focus was on mainstream pop acts, the rise of psychedelia and heavier rock bands in the late 1960s resulted in an emphasis on guitar-based music and indie rock bands, which has continued to this day. Suffering a sales slump by the mid-1970s, the arrival of New Wave towards the late 1970s resulted in the NME cashing in by hiring young writers, reverting the magazine's declining fortune. Circulation eventually peaked to 320,000 copies a week. The sometimes ascerbic and scathing reviews of established artists earned it the nickname "The Enemy". Around this time it changed its masthead to be read as "NME", with the longer title less prominently displayed within the letters themselves.
Upon the demise of Melody Maker in 2001, several of its writers and features relocated to the NME. Since 2002, rivals such as Q, Mojo, and Classic Rock magazines had made inroads into the traditional NME readership, and by 2009 its popularity had declined with audited circulation dropping to 48,500 copies a week.[1]
- ↑ The party’s over and magazines suffer a circulation hangover (February 2009). Retrieved on 2009-04-20.