The Miernik Dossier: Difference between revisions
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At the time of its publication, [[Newgate Callendar]], the weekly mystery reviewer of the ''New York Times'', called it "a fast-moving tale of Byzantine intrigue" and said that Miernik himself was "continuously interesting".<ref>"Criminals at Large," by Newgate Callendar, ''The New York Times'', July 8, 1973</ref> | At the time of its publication, [[Newgate Callendar]], the weekly mystery reviewer of the ''New York Times'', called it "a fast-moving tale of Byzantine intrigue" and said that Miernik himself was "continuously interesting".<ref>"Criminals at Large," by Newgate Callendar, ''The New York Times'', July 8, 1973</ref> | ||
From Alan Furst and Eric Ambler: | |||
With “The Miernik Dossier,” Charles McCarry introduced us to Paul Christopher, the brilliant and sensitive CIA officer who would appear in a series of perhaps more widely known novels, such as “The Secret Lovers” and “Second Sight.” The book itself is the “dossier” in question: the reports and memoranda filed by a quintet of mutually mistrustful espionage agents, including a seductive Hungarian princess and a seemingly hapless Polish scientist, who undertake to drive from Switzerland to the Sudan in a Cadillac. It is a travelogue that bristles with suspicion and deception—but don’t listen to me, listen to a certain highly acclaimed spy novelist who reviewed McCarry’s literary debut: “The level of reality it achieves is high indeed; it is superbly constructed, wholly convincing, and displays insights that are distinctly refreshing. A new and very welcome talent.” Good call, Eric Ambler. | |||
==Notes== | ==Notes== | ||
<references/> | <references/> | ||
Revision as of 16:35, 4 April 2013
The Miernik Dossier, published by the Saturday Review Press in 1973, was the first of sevens novels by the American novelist Charles McCarry featuring an American intelligence agent named Paul Christopher. Set in 1959 in Europe and Africa during the days of the Cold War, it is narrated in the form of reports, overheard conversations, and various documents from a multitude of sources of different nationalities, supposedly giving the reader an authentic picture of what an actual intelligence operation might be like. McCarry had previously been an undercover operative for the Central Intelligence Agency for nine years, and the book was hailed for its apparent authenticity and realistic depiction of tradecraft. It received excellent reviews, and instantly established McCarry's reputation as one of the foremost American novelists of espionage.
Critical appraisal
Reviewing a non-Christopher novel by McCarry in the New York Times in 1988, John Gross wrote:
Charles McCarry's first novel, The Miernik Dossier, which was published in 1973, is arguably the finest modern American spy story, the only one that matches the leading British masters of the genre in subtlety and ingenuity. It featured an agent called Paul Christopher, and Christopher's adventures form the basis of four subsequent novels by Mr. McCarry, none quite as good as The Miernik Dossier, but all far superior to the average cloak-and-dagger concoction.[1]
At the time of its publication, Newgate Callendar, the weekly mystery reviewer of the New York Times, called it "a fast-moving tale of Byzantine intrigue" and said that Miernik himself was "continuously interesting".[2]
From Alan Furst and Eric Ambler:
With “The Miernik Dossier,” Charles McCarry introduced us to Paul Christopher, the brilliant and sensitive CIA officer who would appear in a series of perhaps more widely known novels, such as “The Secret Lovers” and “Second Sight.” The book itself is the “dossier” in question: the reports and memoranda filed by a quintet of mutually mistrustful espionage agents, including a seductive Hungarian princess and a seemingly hapless Polish scientist, who undertake to drive from Switzerland to the Sudan in a Cadillac. It is a travelogue that bristles with suspicion and deception—but don’t listen to me, listen to a certain highly acclaimed spy novelist who reviewed McCarry’s literary debut: “The level of reality it achieves is high indeed; it is superbly constructed, wholly convincing, and displays insights that are distinctly refreshing. A new and very welcome talent.” Good call, Eric Ambler.