Since I've Been Loving You: Difference between revisions
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|language = English | |language = English | ||
|length = 7 minutes 25 seconds | |length = 7 minutes 25 seconds | ||
|composer = Jimmy Page, Robert Plant, | |composer = Jimmy Page, Robert Plant, John Paul Jones | ||
|label = Atlantic Records | |label = Atlantic Records | ||
|producer = Jimmy Page | |producer = Jimmy Page | ||
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This was one of the first songs prepared for the ''Led Zeppelin III'' album, with a basic demo previously laid out at Morgan Studios in 1969.<ref>{{cite book|last=Lewis|first=Dave|year=2012|title=Led Zeppelin: From a Whisper to a Scream|location=London|publisher=Omnibus Press|pages=42|isbn=978-1-78038-547-1}}</ref> The song was recorded live in the studio with very little overdubbing. | This was one of the first songs prepared for the ''Led Zeppelin III'' album, with a basic demo previously laid out at Morgan Studios in 1969.<ref>{{cite book|last=Lewis|first=Dave|year=2012|title=Led Zeppelin: From a Whisper to a Scream|location=London|publisher=Omnibus Press|pages=42|isbn=978-1-78038-547-1}}</ref> The song was recorded live in the studio with very little overdubbing. | ||
John Paul Jones' Hammond C-3 organ is the perfect choice for this track, as its expression allows for subtle, quiet support to the verses, along with strong, exciting power during the choruses. By carefully working the volume (or 'swell') pedal, Jones takes the organ from clear, pure organ tones to a more distorted, heavy overdrive that matches and enhances the powerful climaxes. The Leslie speaker is recorded with two microphones, panned wide apart for stereo; the main microphone sound is bright and sharp, and clearly indicates the textural changes of the track. The other microphone channel is almost entirely without treble and is panned to the left to fill the 'space' behind the guitar. This creates a wide full sound without interfering with the balance between the organ and guitar, which are on opposite sides. The 'bass' track is Hammond organ, as well, that was recorded separately for clarity, using the bass pedals for the bassline.<ref>{{cite book|last=Case|first=George|year=2011|chapter=When the Guitars Play|title=Led Zeppelin FAQ: All That's Left to Know About the Greatest Hard Rock Band of All Time|location=Milwaukee|publisher=Backbeat Books|pages=65|isbn=978-1-61713-025-0}}</ref> | |||
It was the only track from the third album that the band had played live prior to the recording sessions, but was reportedly the hardest to record.<ref>{{cite journal|author=Tolinski, Brad and Di Benedetto, Greg|title=Light and Shade: A Historic Look at the Entire Led Zeppelin Catalogue Through the Eyes of Guitarist/Producer/Mastermind Jimmy Page|year=1998|month=January|journal=Guitar World|volume=18|issue=1|pages=16|issn=1045-6295}}</ref> One version mentions Jimmy Page taking a break following a series of attempts to track the solo. Seemingly unable to get the tone he was desiring, he set about a walk around the studio to clear his mind. Sitting outside of the recording area was his unplugged Supro amplifier, which he utilised, and recorded the final solo on the next take. Audio engineer Terry Manning called it 'The best rock guitar solo of all time.' | It was the only track from the third album that the band had played live prior to the recording sessions, but was reportedly the hardest to record.<ref>{{cite journal|author=Tolinski, Brad and Di Benedetto, Greg|title=Light and Shade: A Historic Look at the Entire Led Zeppelin Catalogue Through the Eyes of Guitarist/Producer/Mastermind Jimmy Page|year=1998|month=January|journal=Guitar World|volume=18|issue=1|pages=16|issn=1045-6295}}</ref> One version mentions Jimmy Page taking a break following a series of attempts to track the solo. Seemingly unable to get the tone he was desiring, he set about a walk around the studio to clear his mind. Sitting outside of the recording area was his unplugged Supro amplifier, which he utilised, and recorded the final solo on the next take. Audio engineer Terry Manning called it 'The best rock guitar solo of all time.' | ||
Latest revision as of 08:45, 26 October 2024
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'Since I've Been Loving You' is a blues-rock song by English rock music|rock band Led Zeppelin, released on their 1970 album Led Zeppelin III. 'Since I've Been Loving You' was recorded in 1970 at Island Studios in London. OverviewThis was one of the first songs prepared for the Led Zeppelin III album, with a basic demo previously laid out at Morgan Studios in 1969.[1] The song was recorded live in the studio with very little overdubbing. John Paul Jones' Hammond C-3 organ is the perfect choice for this track, as its expression allows for subtle, quiet support to the verses, along with strong, exciting power during the choruses. By carefully working the volume (or 'swell') pedal, Jones takes the organ from clear, pure organ tones to a more distorted, heavy overdrive that matches and enhances the powerful climaxes. The Leslie speaker is recorded with two microphones, panned wide apart for stereo; the main microphone sound is bright and sharp, and clearly indicates the textural changes of the track. The other microphone channel is almost entirely without treble and is panned to the left to fill the 'space' behind the guitar. This creates a wide full sound without interfering with the balance between the organ and guitar, which are on opposite sides. The 'bass' track is Hammond organ, as well, that was recorded separately for clarity, using the bass pedals for the bassline.[2] It was the only track from the third album that the band had played live prior to the recording sessions, but was reportedly the hardest to record.[3] One version mentions Jimmy Page taking a break following a series of attempts to track the solo. Seemingly unable to get the tone he was desiring, he set about a walk around the studio to clear his mind. Sitting outside of the recording area was his unplugged Supro amplifier, which he utilised, and recorded the final solo on the next take. Audio engineer Terry Manning called it 'The best rock guitar solo of all time.' Because of the live recording, this is one of a few songs in which one can hear the faint squeak of John Bonham's bass drum pedal in the studio, the others being 'The Ocean (song)|The Ocean' and 'The Rain Song' from 1973's Houses of the Holy, 'Ten Years Gone' from 1975's Physical Graffiti, and 'Bonzo's Montreux' from 1982's Coda (album)|Coda and 'I Can't Quit You Baby' from the same album. In an interview he gave to Guitar World magazine in 1993, Page made comment of this whilst discussing the remastering of Led Zeppelin tracks:
Live history'Since I've Been Loving You' became one of Led Zeppelin's most outstanding songs. Its extreme dynamics and fascinating chord progression show how Led Zeppelin were able to modify the traditional 12-bar blues. They would play it at nearly every concert for ten years, and it seemed to exemplify both the subtlety and power that the band possessed. As an Improvisation#Musical improvisation|improvisational showcase for all four group members, and especially for Jimmy Page's electric blues guitar solos, 'Since I've Been Loving You' became a staple and fan favourite of Led Zeppelin concerts|Led Zeppelin's live concert performances from 1970 until the end of their Led Zeppelin North American Tour 1973|ninth American tour in summer 1973 (it was performed less frequently thereafter). It was played on the 1970, Led Zeppelin North American Tour 1971|1971, Led Zeppelin North American Tour 1972|1972, Led Zeppelin North American Tour 1973|1973, Led Zeppelin North American Tour 1977|1977, Knebworth 1979|1979 and Tour Over Europe 1980|1980 tours, as well as a few times on the Led Zeppelin North American Tour 1975|1975 North American tour. Just before this 1975 tour, Page broke the tip of his left ring finger in a train door mishap. They went on with the tour but they had to drop this song and 'Dazed and Confused (Led Zeppelin song)|Dazed and Confused' from the set lists as he couldn't play them properly until his finger healed. In live performances of the song from 1977 onwards, Page would sometimes incorporate some of the solo of 'Tea for One', a track from the band's 1976 album Presence that is similar in style to this song. Page's guitar prowess is well demonstrated in different performances of the song from Madison Square Garden in July 1973, as seen in the group's concert films The Song Remains the Same (and The Song Remains the Same (album)|accompanying soundtrack) and Led Zeppelin (DVD)|Led Zeppelin DVD. There is also a June 1972 live recording of 'Since I've Been Loving You' which can be heard on the album How the West Was Won (album)|How the West Was Won, and another live version on Disc 2 of BBC Sessions (Led Zeppelin album)|BBC Sessions. Jimmy Page and Robert Plant recorded a version of the song in 1994, released on their album No Quarter: Jimmy Page and Robert Plant Unledded. Plant also used a sample from this on his solo track 'White, Clean, and Neat'. 'Since I've Been Loving You' was performed at Ahmet Ertegun Tribute Concert|Led Zeppelin's reunion show at the The O2 arena (London)|O2 Arena, London on 10 December 2007. Accolades
(*) designates unordered lists. Credits
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