Celebration Day (song): Difference between revisions

From Citizendium
Jump to navigation Jump to search
No edit summary
m (Text replacement - "]]" to "")
Line 3: Line 3:
|name        = Celebration Day
|name        = Celebration Day
|image      =  
|image      =  
|album      = ''[[Led Zeppelin III]]''
|album      = ''[[Led Zeppelin III''
|published  = Superhype Music
|published  = Superhype Music
|registration = ASCAP 330180700
|registration = ASCAP 330180700
Line 11: Line 11:
|language    = English
|language    = English
|length      = 3 minutes 29 seconds  
|length      = 3 minutes 29 seconds  
|composer    = [[Jimmy Page]], [[Robert Plant]], [[John Paul Jones (musician)|John Paul Jones]]
|composer    = [[Jimmy Page, [[Robert Plant, [[John Paul Jones (musician)|John Paul Jones
|label      = [[Atlantic Records]]
|label      = [[Atlantic Records
|producer    = Jimmy Page
|producer    = Jimmy Page
|engineer    = Andy Johns
|engineer    = Andy Johns
}}
}}
{{TOC|Right}}
{{TOC|Right}}
''''Celebration Day'''' is the third track from [[England|English]] [[rock music|rock]] band [[Led Zeppelin]]'s 1970 album ''[[Led Zeppelin III]]''.
''''Celebration Day'''' is the third track from [[England|English [[rock music|rock band [[Led Zeppelin's 1970 album ''[[Led Zeppelin III''.


==Overview==
==Overview==
The track was almost left off the album, due to a studio oversight in which an engineer accidentally erased the first few bars of [[John Bonham]]'s drum track. To disguise it, a [[Moog synthesizer]] with an [[EMS VCS3]], from the end of the previous song on the album, '[[Friends (song)|Friends]]', was used to composite over the edit. This enabled the track to be salvaged and included on the album.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>
The track was almost left off the album, due to a studio oversight in which an engineer accidentally erased the first few bars of [[John Bonham's drum track. To disguise it, a [[Moog synthesizer with an [[EMS VCS3, from the end of the previous song on the album, '[[Friends (song)|Friends', was used to composite over the edit. This enabled the track to be salvaged and included on the album.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>


'Celebration Day' is made up of jangling [[Jimmy Page]] guitar riffs and a hypnotic, trance-like mood. In an interview he gave to ''Guitar World'' magazine in 1993, Page discussed the construction of the song: {{Quote|There's about three or four riffs going down on that one, isn't there? Half was done with a guitar in standard tuning and the other half was done on slide guitar tuned to an open A, I think. We put that together at [[Headley Grange]]. Because we rented the [[Rolling Stones Mobile Studio|Rolling Stones' mobile recording studio]], we could relax and take our time and develop the songs in rehearsals. I do not remember too much about that song other than that and what I told you earlier about the opening being erased. I used to play the whole thing live on my electric 12-string.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>}}
'Celebration Day' is made up of jangling [[Jimmy Page guitar riffs and a hypnotic, trance-like mood. In an interview he gave to ''Guitar World'' magazine in 1993, Page discussed the construction of the song: {{Quote|There's about three or four riffs going down on that one, isn't there? Half was done with a guitar in standard tuning and the other half was done on slide guitar tuned to an open A, I think. We put that together at [[Headley Grange. Because we rented the [[Rolling Stones Mobile Studio|Rolling Stones' mobile recording studio, we could relax and take our time and develop the songs in rehearsals. I do not remember too much about that song other than that and what I told you earlier about the opening being erased. I used to play the whole thing live on my electric 12-string.<ref>{{cite journal|last=Tolinski|first=Brad|coauthors=Greg DiBenedetto|date=May 1993|title=Inside the studio with Jimmy Page|url=http://www.skeptictank.org/files/en004/lza93pag.htm|journal=Guitar World|publisher=Harris Publications|volume=14|issue=5|issn=1063-4231}}</ref>}}


==Live performances==
==Live performances==
The lyrics of [[Robert Plant]] refer to his impressions of the city of [[New York, New York|New York]]. On Led Zeppelin's [[Led Zeppelin North American Tour 1971|1971 concert tour of the United States]], Robert Plant would sometimes introduce it as 'The New York Song'. 'Celebration Day' was often played live in [[Led Zeppelin concerts]] from 1971 through 1973, and was returned to the band's set list at [[Knebworth Festival 1979|Knebworth in 1979]].<ref>{{cite book|last=Lewis|first=Dave|year=2012|title=Led Zeppelin: From a Whisper to a Scream|location=London|publisher=Omnibus Press|pages=42|isbn=978-1-78038-547-1}}</ref> A live version from the band's [[Led Zeppelin North American Tour 1973|1973 U.S. tour]] was recorded and included on their concert soundtrack ''[[The Song Remains the Same (album)|The Song Remains the Same]]''.  
The lyrics of [[Robert Plant refer to his impressions of the city of [[New York, New York|New York. On Led Zeppelin's [[Led Zeppelin North American Tour 1971|1971 concert tour of the United States, Robert Plant would sometimes introduce it as 'The New York Song'. 'Celebration Day' was often played live in [[Led Zeppelin concerts from 1971 through 1973, and was returned to the band's set list at [[Knebworth Festival 1979|Knebworth in 1979.<ref>{{cite book|last=Lewis|first=Dave|year=2012|title=Led Zeppelin: From a Whisper to a Scream|location=London|publisher=Omnibus Press|pages=42|isbn=978-1-78038-547-1}}</ref> A live version from the band's [[Led Zeppelin North American Tour 1973|1973 U.S. tour was recorded and included on their concert soundtrack ''[[The Song Remains the Same (album)|The Song Remains the Same''.  


When released in 1976, the album's [[The Song Remains the Same|accompanying film]] did not include this live cut of 'Celebration Day', but when the DVD of the film was reissued in 2007, footage of the song was added to the second extras disc, and included on the reissue of the album. This reissued version is slightly different from the one that was originally included on the 1976 album, in particular featuring a different [[guitar solo]]. Jimmy Page performed 'Celebration Day' on his tour with [[the Black Crowes]] in 1999, and another version performed by Page and the Black Crowes can be found on the album ''[[Live at the Greek]]''.
When released in 1976, the album's [[The Song Remains the Same|accompanying film did not include this live cut of 'Celebration Day', but when the DVD of the film was reissued in 2007, footage of the song was added to the second extras disc, and included on the reissue of the album. This reissued version is slightly different from the one that was originally included on the 1976 album, in particular featuring a different [[guitar solo. Jimmy Page performed 'Celebration Day' on his tour with [[the Black Crowes in 1999, and another version performed by Page and the Black Crowes can be found on the album ''[[Live at the Greek''.


==Credits==
==Credits==
Line 40: Line 40:
**John Bonham - percussion
**John Bonham - percussion
*Production:
*Production:
**[[Peter Grant]] – executive producer
**[[Peter Grant – executive producer
**Andy Johns - engineer, mixing
**Andy Johns - engineer, mixing
**Joe Sidore - original CD mastering engineer (mid-1980s)  
**Joe Sidore - original CD mastering engineer (mid-1980s)  

Revision as of 14:48, 1 April 2024

This article may be deleted soon.
To oppose or discuss a nomination, please go to CZ:Proposed for deletion and follow the instructions.

For the monthly nomination lists, see
Category:Articles for deletion.


{{Infobox Song

name = Celebration Day image = album = [[Led Zeppelin III published = Superhype Music registration = ASCAP 330180700 released = 5 October 1970 recorded = May 1970 at
Headley Grange, Hampshire.
Mixed at Ardent Studios, Memphis.
genre = Hard rock, rock language = English length = 3 minutes 29 seconds composer = [[Jimmy Page, [[Robert Plant, [[John Paul Jones (musician)|John Paul Jones label = [[Atlantic Records producer = Jimmy Page engineer = Andy Johns

}}

'Celebration Day' is the third track from [[England|English [[rock music|rock band [[Led Zeppelin's 1970 album [[Led Zeppelin III.

Overview

The track was almost left off the album, due to a studio oversight in which an engineer accidentally erased the first few bars of [[John Bonham's drum track. To disguise it, a [[Moog synthesizer with an [[EMS VCS3, from the end of the previous song on the album, '[[Friends (song)|Friends', was used to composite over the edit. This enabled the track to be salvaged and included on the album.[1]

'Celebration Day' is made up of jangling [[Jimmy Page guitar riffs and a hypnotic, trance-like mood. In an interview he gave to Guitar World magazine in 1993, Page discussed the construction of the song: {{Quote|There's about three or four riffs going down on that one, isn't there? Half was done with a guitar in standard tuning and the other half was done on slide guitar tuned to an open A, I think. We put that together at [[Headley Grange. Because we rented the [[Rolling Stones Mobile Studio|Rolling Stones' mobile recording studio, we could relax and take our time and develop the songs in rehearsals. I do not remember too much about that song other than that and what I told you earlier about the opening being erased. I used to play the whole thing live on my electric 12-string.[2]}}

Live performances

The lyrics of [[Robert Plant refer to his impressions of the city of [[New York, New York|New York. On Led Zeppelin's [[Led Zeppelin North American Tour 1971|1971 concert tour of the United States, Robert Plant would sometimes introduce it as 'The New York Song'. 'Celebration Day' was often played live in [[Led Zeppelin concerts from 1971 through 1973, and was returned to the band's set list at [[Knebworth Festival 1979|Knebworth in 1979.[3] A live version from the band's [[Led Zeppelin North American Tour 1973|1973 U.S. tour was recorded and included on their concert soundtrack [[The Song Remains the Same (album)|The Song Remains the Same.

When released in 1976, the album's [[The Song Remains the Same|accompanying film did not include this live cut of 'Celebration Day', but when the DVD of the film was reissued in 2007, footage of the song was added to the second extras disc, and included on the reissue of the album. This reissued version is slightly different from the one that was originally included on the 1976 album, in particular featuring a different [[guitar solo. Jimmy Page performed 'Celebration Day' on his tour with [[the Black Crowes in 1999, and another version performed by Page and the Black Crowes can be found on the album [[Live at the Greek.

Credits

Personnel
  • Musicians:
    • Jimmy Page – electric guitar, producer, remastering, digital remastering
    • Robert Plant – vocals
    • John Paul Jones – bass guitar, Moog synthesizer, EMS VCS3
    • John Bonham - percussion
  • Production:
    • [[Peter Grant – executive producer
    • Andy Johns - engineer, mixing
    • Joe Sidore - original CD mastering engineer (mid-1980s)
    • George Marino - remastered CD engineer (1990)

References

  1. Tolinski, Brad; Greg DiBenedetto (May 1993). "Inside the studio with Jimmy Page". Guitar World 14 (5). ISSN 1063-4231.
  2. Tolinski, Brad; Greg DiBenedetto (May 1993). "Inside the studio with Jimmy Page". Guitar World 14 (5). ISSN 1063-4231.
  3. Lewis, Dave (2012). Led Zeppelin: From a Whisper to a Scream. London: Omnibus Press, 42. ISBN 978-1-78038-547-1.