Over the Hills and Far Away: Difference between revisions
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Page: Yeah, that's right. 'Presumably'. It sounds that way. It sounds like the acoustic is going straight through.}} | Page: Yeah, that's right. 'Presumably'. It sounds that way. It sounds like the acoustic is going straight through.}} | ||
Plant's vocals enter on the next repetition. He tenderly offers himself to the 'lady' who's 'got the love [he] need[s].' The acoustic guitars build in a crescendo toward the abrupt infusion of Page's electric guitars along with drummer John Bonham's and bass guitarist | Plant's vocals enter on the next repetition. He tenderly offers himself to the 'lady' who's 'got the love [he] need[s].' The acoustic guitars build in a crescendo toward the abrupt infusion of Page's electric guitars along with drummer John Bonham's and bass guitarist John Paul Jones' rhythm accompaniment. | ||
Through the pre-verse interludes and instrumental bridge, 'Over the Hills and Far Away' stands out as an example of Jones and Bonham's tight interplay. Following the final verse, the rhythm section fades out, gradually replaced by the echo returns from Page's electric guitar and a few chords played by Jones on harpsichord.<ref>{{cite journal|author=Tolinski, Brad and Di Benedetto, Greg|title=Light and Shade: A Historic Look at the Entire Led Zeppelin Catalogue Through the Eyes of Guitarist/Producer/Mastermind Jimmy Page|year=1998|month=January|journal=Guitar World|volume=18|issue=1|pages=100|issn=1045-6295}}</ref> In the final 8 bars, Page executes a linearly descending/ascending sequence and then concludes with the idiomatic V-I tag on pedal steel guitar. | Through the pre-verse interludes and instrumental bridge, 'Over the Hills and Far Away' stands out as an example of Jones and Bonham's tight interplay. Following the final verse, the rhythm section fades out, gradually replaced by the echo returns from Page's electric guitar and a few chords played by Jones on harpsichord.<ref>{{cite journal|author=Tolinski, Brad and Di Benedetto, Greg|title=Light and Shade: A Historic Look at the Entire Led Zeppelin Catalogue Through the Eyes of Guitarist/Producer/Mastermind Jimmy Page|year=1998|month=January|journal=Guitar World|volume=18|issue=1|pages=100|issn=1045-6295}}</ref> In the final 8 bars, Page executes a linearly descending/ascending sequence and then concludes with the idiomatic V-I tag on pedal steel guitar. |
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'Over the Hills and Far Away' is the third track from English Rock music|rock band Led Zeppelin's 1973 album Houses of the Holy. OverviewJimmy Page and Robert Plant originally constructed the song in 1970 at Bron-Yr-Aur, a small cottage in Wales where they stayed after completing a gruelling concert tour of the United States of America.[1] Page plays a six-string Steel-string guitar|acoustic guitar introduction with a melody reminiscent of 'White Summer'. Page repeats the theme with 12-string acoustic guitar in unison. In an interview published in Guitar World magazine's November 1993 issue, Page commented on the construction of the song:
Plant's vocals enter on the next repetition. He tenderly offers himself to the 'lady' who's 'got the love [he] need[s].' The acoustic guitars build in a crescendo toward the abrupt infusion of Page's electric guitars along with drummer John Bonham's and bass guitarist John Paul Jones' rhythm accompaniment. Through the pre-verse interludes and instrumental bridge, 'Over the Hills and Far Away' stands out as an example of Jones and Bonham's tight interplay. Following the final verse, the rhythm section fades out, gradually replaced by the echo returns from Page's electric guitar and a few chords played by Jones on harpsichord.[2] In the final 8 bars, Page executes a linearly descending/ascending sequence and then concludes with the idiomatic V-I tag on pedal steel guitar. The song was released as Houses of the Holy's first U.S. single, reaching number 51 on the Billboard Hot 100 chart, later becoming a staple of the Classic rock radio format. Set lists from Led Zeppelin concerts frequently contained 'Over the Hills and Far Away', the song being one that the band introduced on stage well ahead of its studio release.[3] The group first played it during their Led Zeppelin North American Tour 1972|1972 concert tour of the United States and retained it consistently through 1979, before omitting it from their final Tour Over Europe 1980|tour of Europe in 1980. In singing the song live, Plant commonly followed the words 'pocket-full of gold' with 'Acapulco gold', as can be heard on the live album How the West Was Won (album)|How the West Was Won. Also, at concerts guitarist Jimmy Page performed an extended guitar solo, which essentially consisted of the rhythm and lead guitar parts of the album version split into two separate pieces. This extended solo made the live renditions last almost or more than seven minutes. Archive footage of this track being performed live at Seattle in 1977 and at Knebworth Festival 1979|Knebworth in 1979 was used for an officially distributed video of the song, used to promote the 1990 Remasters (Led Zeppelin album)|Remasters release.[4] The video accompanied a compact disc single which was released following the successful 'Travelling Riverside Blues' release.[5] The song was first called 'Many, Many Times', as shown on a picture of the original master on the Led Zeppelin website. Among blogging and forum-attending Led Zeppelin fans, the song has gained the abbreviation OTHAFA. The title of this song (as well as many others by Led Zeppelin and other artists) was the name of an episode of That 70's Show. It was also the name of an episode of One Tree Hill (TV series)|One Tree Hill. Chart positionsSingle
Single (Digital download)
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